Devouring This Year's Holiday Movies: The Good, The Bad and The So-Bad-It's-Good.

It is the time of year to relax on the couch and consume a tin of holiday pastries in front of a good movie, a awful feature, or one that’s awesomely awful.

Once again, a crop of latest Christmas films hopes to be part of our seasonal watchlist—perhaps even earning a place alongside timeless staples like Home Alone, Elf, Love Actually, and Die Hard (don’t start).

Therefore, in a helpful attempt to distinguish the gems from the coal, and to find the holiday mood, I watched as many recent Christmas films as possible in a single day.

7.17am - A Very Jonas Christmas Movie

Kicking off, hopefully, on a high. This release is the only 2025 title on a well-known aggregator's list of the top 100 festive features of all time.

The Jonas Brothers are trapped in the UK after wrapping up their world tour and must make it back for Christmas. Their endeavors are hindered by an malevolent Father Christmas, who sings to declare they won’t get home until they “rediscover their brotherly magic.”

The back-and-forth between the arguing trio is entertaining even for the casual viewer, while fans will no doubt pick up on lots of references as they attempt to get back using every mode of travel possible.

It’s a travelogue of mishaps.

It’s not a timeless masterpiece, but is excellent for devotees and a solid start to the day.

Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their relatives who will have to sit through it.

8.45am - Tinsel Town

A-list actor Kiefer Sutherland appears as a Hollywood star tricked into a pantomime.

“A panto-what?” asks Sutherland’s “difficult” and older lead Brad Mack, who has hit a rough patch and whose manager has deceived him into thinking he’s performing in high-class London stage.

His Aladdin co-stars let him know he’s playing Buttons. “Absolutely not,” he protests. One can imagine their reply. Except if you’re not acquainted with traditional panto catchphrases.

There are some great jokes, some cockle-warming side stories, and the supporting actors is excellent, too.

It’s the type of film that would be a bit naff at any other time of year, but is a lot of fun at Christmas.

Holiday verdict: 🎄🎄🎄🎄

10.19am - Christmas Karma

An actor pops up at the beginning of this film, too, delivering a signature line for the second consecutive movie. Could this be a new Christmas tradition?

This time, he’s a crooning chauffeur who collects Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.

Mr Sood is played by The Big Bang Theory’s Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The classic narrative unfolds as the miserly Mr Sood is haunted by the spirits of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.

This cultural adaptation is at least distinct from all the others, but unfortunately he’s not very captivating and Nayyar’s portrayal is wooden—a significant issue when he’s so the main character.

Holiday verdict: 🎄🎄

12.04pm - Stuffed

Before lunch for a channel's original festive film—which stars Guz Khan as a charmingly cantankerous character who “isn't big on Christmas.”

But after he gets an sizable holiday payout at work, his wife (portrayed by Morgana Robinson) talks him into spending the sum on a family trip to Lapland.

There’s just one snag—he discovers there was an error with his bonus, which should have been £800, and he has to determine how to return the difference.

Pleasant yet unmemorable.

Christmas tree rating: 🎄🎄

Early Afternoon: Champagne Problems

This is one of those Christmas films where the tree, fairy lights and snow are in the background—Christmas is the scene of the film rather than its main point—but it feels cosy and festive all the same.

Ambitious executive Sydney (starring Minka Kelly) is sent to a country estate to do a deal for a champagne business. During her travels, she runs into a man in a literary haven who promises to show her a festive Paris.

An expert recently stated this is the finest new Christmas film of the past few years. That’s a bit of a stretch, but it is a Christmas romance with a hint of sophistication and gives the obligatory cozy feelings.

The scene with a detailed conversation about Die Hard is very good too.

Festive score: 🎄🎄🎄

3.29pm - Finding Father Christmas

Sixteen-year-old Chris, played by Lenny Rush, continues to believe in Father Christmas, in spite of the persuasion of his dad (played by James Buckley) to tell him otherwise.

The secret is somewhere, and Chris ventures forth to find it with the guidance of a panel of well-known experts and celebrities.

It’s understated but sweet, and perfect viewing while anticipating Santa to visit.

Holiday verdict: 🎄🎄🎄

A Star-Studded Family Drama

Michelle Pfeiffer is the head of a dysfunctional American family who come back together for the holidays—including other Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.

Pfeiffer starts by mentioning holiday staples like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the unsung heroes of the holidays—moms.”

So that’s what this is, but in execution it’s really a jumble of those forerunner films, at least until Pfeiffer’s character eventually comes into her own.

Holiday verdict: 🎄🎄

Formulaic Fun

The day’s gone downhill, but happily here’s a new offering in the crowded field of formulaic, schmaltzy, badly acted—and highly entertaining—holiday fare.

It’s a tale as old as time: An American woman goes on a quest to a picturesque cold country and ends up stumbling across romance.

In this case, Caprice Bourret plays a publisher

Matthew Reed
Matthew Reed

A tech journalist with over a decade of experience covering consumer electronics and digital innovation across Europe.